Thesis
Ogham then, woman here: sensitivity notes on linguistic and creative space
Washington State University
Master of Fine Arts (MFA), Washington State University
2013
Handle:
https://hdl.handle.net/2376/102354
Abstract
This invites entrance into my sensitivity to space and time and how this manifests in both art and writing. I compose intentionally confusing and clear page space as a new approach to my painting process. This will be clear and unclear, followable and not followable, absurd and balanced. I will do so by adjusting traditional concepts of formal writing, language use, and page layout, while keeping within the confines of the thesis guidelines to page set up. This is not a conclusion, but a synthesis of the present. This is not a totalized space, but a subjective space. This is openness and invitation. This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This, This. I mark each page through letters.
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Details
- Title
- Ogham then, woman here
- Creators
- Meghan Hedley
- Contributors
- Chris Watts (Degree Supervisor)
- Awarding Institution
- Washington State University
- Academic Unit
- Fine Arts, Department of
- Theses and Dissertations
- Master of Fine Arts (MFA), Washington State University
- Publisher
- Washington State University; [Pullman, Washington] :
- Identifiers
- 99900525146601842
- Language
- English
- Resource Type
- Thesis